Agia Anna, near Nefs Amari, Crete, features 12th-century origins and 14th-century renovations. It houses 1225 Byzantine frescoes, including the Deesis and Cretan saints like Apostle Titus. The church's 1196 inscription marks its early phase, reflecting Byzantine art evolution in Crete. The frescoes, though aged, retain vibrancy, showcasing artistic and spiritual heritage. Located in the Amari Valley, the site offers insights into Crete's historical and cultural context, despite occasional access restrictions.
The Agia Anna basilica in Eleutherna offers insights into the city's transformation into a Christian center. Learn about its location, history, and significance.
Agia Paraskevi, near Kalogerou in Amari, Crete, is a 16th-century Venetian-era church with a free cross floor plan and a dome on a cylindrical drum. Reconstructed in 1888, it retains original Venetian frescoes, notably in an arcosolium depicting Christ and kneeling figures, including a Georgios Chortatzis. The church's architecture and frescoes, along with the Chortatzis burial, highlight Venetian influence in Crete. The identity of Georgios Chortatzis, possibly linked to archons or a playwright, remains debated. The church is active and open to visitors.
Agios Antonios cave sanctuary, situated on Veni Hill in Amari, Rethymno, Crete, reveals a blend of Minoan, Byzantine, Venetian, and Ottoman history. Originally a Minoan worship site, it evolved into a Byzantine monastery dedicated to Agios Antonios. It served as a refuge for Cretan rebels, earning the name "Pnyka of Crete," and faced Ottoman attacks. The site is linked to Arkadi Monastery and features a holy spring, monastic cells, and remnants of past monks. Currently under restoration, the cave holds ancient clay basins and celebrates Agios Antonios' feast day. The location offers views of the Psiloritis range, reflecting Crete's spiritual and resistance heritage.
Agios Georgios Xifoforos, a mid-13th-century Byzantine church located near Apodoulou in Crete's Amari region, boasts well-preserved frescoes and a single-aisled, barrel-vaulted architecture. Dedicated to Saint George (Xifoforos), the church exemplifies Byzantine art and religious traditions. Its frescoes offer valuable insights into the cultural and artistic practices of the era. The church's history, potentially linked to a monastery, remains partially unclear. Today, it serves as a place of worship and pilgrimage, open to visitors interested in Byzantine architecture and religious art.
Byzantine-era, two-aisled church near the Minoan Palace of Galatas in Crete. Features an arkosolio and possible monastic remains. Frescoes in poor condition.
Agios Onoufrios Church, constructed in 1329/1330 near Genna, Amari, Crete, is a single-aisled, barrel-vaulted Byzantine chapel with a semi-circular apse.
Built by the Varouchas family, its frescoes, dating to its construction, depict religious scenes like the Deesis, Annunciation, and Crucifixion, showing connections to the Macedonian School. A rare, well-preserved stone templon and glazed ceramic plates decorate the entrance. The church's artistic style links it to other regional churches, such as those in Margarites, Chalepa, Lampiotes, and Apodoulou.
The Episcopal Basilica of Gortyn in Crete was a major religious center during the Early Byzantine period. It features mosaic floors and marble elements.
The Afentis Christos Church, a Byzantine structure overlooking Ano Meros, is a focal point for local faith, highlighted by annual August 6th feasts with communal meals and traditional celebrations. Kaloeidena Monastery, now largely in ruins, needs preservation, despite its historical and spiritual value. Both sites reflect Amari Valley's enduring traditions, with efforts aimed to revitalize Kaloeidena, ensuring its role as a cultural and religious landmark. The church stands as a testament to the local community's deep-rooted faith, while the monastery's restoration aims to preserve Crete’s heritage.
Located near Kissos, Rethymno, on Mount Kentros, this Orthodox monastery, possibly dating to the Byzantine era and active during Venetian times, was destroyed in 1821. It later became the significant "School of the Holy Spirit" in 1836 under Ottoman rule, educating figures like Emmanouil Tsouderos. A memorial marks an 1868 battle site. Declared a protected monument in 1980, it is now restored and reopened, with an Abbot appointed after nearly 200 years. It falls under the Metropolis of Lambi, Syvritos and Sfakia.
Moni Kapsa, an Eastern Orthodox monastery in southeastern Crete, Greece, is dedicated to Saint John the Baptist. Situated in the Lasithi region, near Pervolakia Gorge and overlooking the Libyan Sea, the monastery features a unique cave-like church with pebble mosaics. Its history spans from the Byzantine period, with evidence of hermits and monks residing there, through Venetian rule, pirate raids, and Ottoman influence. It was revived in the 19th century by Iosif Gerontogiannis, a local hermit later venerated as a saint. The complex includes monks' cells, a guesthouse, and a dining hall, built on four levels. The church's north wall contains paintings from 1552-1809, remnants of an older structure. The nearby Pervolakia Gorge offers hiking trails and unique flora. The monastery played a role in WWII, assisting Allied forces. It was restored in the early 2000s and remains an active monastery.
Explore the remnants of the Church of Panagia in the deserted village of Smilés, Crete. Discover its 14th-century frescoes and learn about its historical significance
Panagia Kera Kardiotissa, a 14th-century Byzantine monastery near Agios Thomas in Crete, is dedicated to the Nativity of the Virgin Mary. Located in a lush landscape at an altitude of 630 meters, the monastery is situated in a place called Mouzouras, next to the Axedianos River. The monastery once housed a miraculous icon of Panagia Kardiotissa, depicting the Virgin Mary holding Christ. The icon's origins are debated, with some attributing it to an Armenian monk named Lazarus and others to the Heraklion painter Andreas Ritzos. The icon's miraculous powers were documented as early as 1415. The monastery became a significant pilgrimage site in 1912 following a vision of the icon of Saint George. It served as a nunnery from 1935 to 1962 and sheltered residents during the German occupation. Today, the renovated site features a centuries-old oak tree, peacocks, and a workshop for traditional weaving.
Panagia Kera, near Nefs Amari, is a 15th-century three-aisled basilica, constructed over a 13th-century cross-in-square church, potentially an earlier Apollo temple site. This Byzantine masterpiece features frescoes, including the Dormition of the Virgin and Ascension, and the Kallergis family coat of arms, linking it to the Venetian period. Once a monastery katholikon under Moni Asomaton, it stands amidst ancient olive groves, with remnants of its past visible in the sanctuary and surrounding area, reflecting Crete's rich historical layers and cultural influences.
Panagia Mavridiani, or Church of the Nativity of Mary, stands near Meronas, Crete, with origins in the 13th century, expanded in the 15th and 16th. The church features two aisles; the older, 13th-century section displays Byzantine architecture with a domed, single-nave design and 13th-century fresco remnants. The northern aisle, dedicated to Saints Constantine and Helen, was added in the 16th century. Frescoes, though partially lost, portray scenes like the Nativity of Mary, Annunciation, Ascension, and Second Coming, alongside saints such as Gregory, Romanos, and Panteleimon. Restored in 2012, it is a testament to Byzantine artistic and religious heritage.
The Church of Panagia in Thronos, Crete, a single-nave Byzantine structure from around 1300 AD, stands on a 5th-6th century Early Christian basilica. Its interior features 14th-15th century frescoes and the Kallergis family coat of arms, reflecting Byzantine patronage. The church's location on Kephala hill, ancient Syvritos, highlights its strategic importance, controlling access to Phaistos and Gortyna. Thronos itself, with roots in the Late Minoan period, was a significant Roman and Byzantine center, serving as the seat of the Bishopric of Syvritos. The church remains active and open to visitors, showcasing well-preserved artistic and historical elements.
The Basilica of Agios Titos in Gortyna, a 5th-century structure rebuilt in the 6th and 7th centuries, reflects the city's transition from paganism to Christianity.
Byzantine church near Varsamonero Monastery, Crete, with 14th-century frescoes and intricate stonework. Active place of worship with annual feast day celebrations.
Moni Vrontisiou, a historic monastery in the Psiloritis Mountains of Crete, dates back to the 9th century. Dedicated to Saint Anthony and the Touching of Thomas, it is known for its architecture and frescoes. The monastery played a role in the Cretan struggle for independence, serving as a refuge for monks and a hub for revolutionary activities. Its fortified walls, two-story main building, and bell tower stand as a testament to its history. The 15th-century marble fountain at the entrance is a highlight, featuring intricate carvings. The main church houses surviving frescoes from the 14th century. Moni Vrontisiou is located 49 kilometers southwest of Heraklion and is open daily from 8:00 AM to 5:00 PM with free admission.